Folk Costume Tag

For a very long time images of the elizabethan shirt as a pattern or garment have fascinated me.  I've always favoured patterns that use every bit of fabric as they speak of a time when textiles were considered to be of great value.  A time when your household was valued by the quality of the textiles produced in the home and worn by the family and often sold to generate income.
 

Inspo from Butterick 4486 - especially the lace-up front.

The beauty of this Folk to Fashion zero-waste pattern is that you can select your fabric width to determine different sizing outcomes in the final garment.  And the length of your available fabric will determine the final length of your garment and sleeve.  This garment is an historic pattern called a Eura, believed to be worn as an undergarment around 500-1,000 AD.

The Japan Skirt has it's origin in Japanese folk costume.  It's based on a simple rectangle of fabric, wrapped around the waist.  In this case I've finessed the fit on the waist by including a dart shape in the zip/drape seam.  Even with the dart you'll find the waist of the skirt is positioned more in the low waist area, and is not a tight fit.  If you would like to create a closer fit on the waist you'll find all the details at the end of this post.

Trawling through the samples on my rail I see so many garments that I haven't posted to follow on from the original pattern puzzle.  So to re-cap I cut this first sample based on a folk costume pattern for a Mantle Dress, Inner Garment referred to as a Eura Costume.  Like many folk costume designs it uses all the fabric and qualifies as zero-waste.  It's from a time when all textiles were considered of great value and no amount of cloth was ever wasted.

When I look at the vast amount of pattern making posts I've blogged since 2013, I'm overwhelmed!  So I've no idea how you're all coping out there.  I'm going to make an attempt to curate some of the posts into different categories so you can use them for a little gentle pattern making.  Many of you ask for online training, so this isn't a bad place to start by working your way through the accumulated knowledge in these posts.  I'll be Highlighting some of my posts that are particularly friendly for the beginner pattern maker.

While I wait for the local pleating house to finish their summer vacation, I'm moving onto the second phase of the Permanent Pleating Series - Garment Pleating.  In this series, I'll be discussing whole garment pleating as originally inspired by the work of Issey Miyake (Pleats Please).

Last weekend's #PatternPuzzle was a little different from our usual pattern shapes.  From the conversation you can see that some pattern pieces are obvious and some not so much.  The self-drafted image below is one of the most effective examples I have come across of zero-waste pattern making, typical of a lot of folk costume construction.
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